Korg’s were famed for NAMM 2020 alongside the Wavestate, SV- 2, and ARP 2600 and it says commodity about the leverage of the names involved that they weren’t entirely overshadowed by similar hypehogging competitive products. Hybrid mixer by Korg has banded with the fabulous mixer design platoon of Greg Mackie and Peter Watts to draft the mongrel/ analog mixing consoles that make creative mixing more accessible & out of the world.
Korg SoundLink MW- 2408 is one of the stylish mixers on request now. Creating an outstanding mixing press is requires a mixer design that combines completely analog channel strips with digital DSP grounded on Korg’s being goods technology.
There are two models in the range, the 24- input MW- 2408, then, and the MW- 1608. Both the 24- and 16- channel models give you instant analog control for live mixing with stunning sound quality and further musician-friendly features than the competition — paired with the power of high- quality digital. The 24 channels are divided unevenly into eight mono and eight stereos all of which have XLR mic and ¼- inch TRS line inputs on the reverse.
Each mixer channel is equipped with one of Peter Watts ’ recently- designed HiVolt preamps, which Korg tout as “ low noise, high headroom ”, and they clearly deliver excellent quality, bearing in mind the mixer’s price point. Each of the mono channels is equipped with a commutable high- pass sludge, fixed at 100Hz, plus a one- clump compressor.
The mono channels each have fixed position high and low shelf EQs, along with amid-EQ sweepable between 250Hz and 5kHz. Korg is pitching these at a variety of druggies – the primer has setup suggestions for churches, conference centers, live bands, and recording – they were easily designed with musicians and musical masterminds in mind. On the recording front, the mixers offer a Musician’s Phones feature that makes it exceptionally easy to set up musician-specific examiner/ headphone composites using the aux channels.
SoundLink’s Musician’s Phone point provides a one- clump boost of the complete left wing/ right blend into the musician’s individual track. rather of having to change main blend settings or take up a machine, clods for two Musician’s examiner mixes. A SoundLink exclusive! Live masterminds and electronic players will appreciate the four customization mute groups, great for switching between multiple band setups or rudiments of a varied live set.
Inversely handy is the capability to save and recall presets for a variety of mixer rudiments, including the mute groups, goods and EQ, feedback suppressor assignments, and Global Scenes, which recall all digital settings at formerly. The other advantages are – Accessible to use. Clean sound with plenitude of headroom.
Mute groups. It’s the lack of either a full audio interface or onboard recording. To get the full features set up on numerous comparably priced. There’s a USB harborage on the reverse, which can act as either a single stereo input or affair, allowing digital input to channel 23/24 or affair of the master L/ R channel.
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